[Radio announcer. They waited
until Job spoke.]
3:1Then Job opened his mouth and cursed
his day.
3Curse the day that I was born,
8Sound the great
sea-spells
|
The Storyteller resettles herself behind Job.
Now as the Scribe she will write the words of Job in the same scroll she
read from before. Her raven's quill pen is poised.
Job speaks quietly at first, with his head bowed, but he becomes more
vehement as he continues. Over the course of the play Job gradually regains
his vigor, so his health is completely restored even before
Job raises his arms to set the fateful seal on the curse. |
If the audience can be persuaded that chaos has really been summoned, so much the better, that earthquakes, for instance, might actually happen during the performance. Near the end of the play, God will quell this fear by relating how he defeated Leviathan in battle at the beginning of the world. The story of Job is a retelling of the creation myth, and as such it is also a healing ritual. Done at full pitch, cast and audience together will fall out of normal time into the myth.
Now the four messengers blow their conches, echoing each other eerily. Then just as the audience's eyes have time to spot them, all the house lights go dark. Complete darkness is what is wanted if that is possible. Job's voice rises above the fading conch echoes as the messengers go out.
Stir the depths against that
night.
9Darken its first twilight stars So it seeks the light in vain And does not find the faintest dawn, 10For it did not shut my mother's womb, Nor save my eyes from sorrow. |
||
11Why did I not die at birth, Emerge from the womb and expire? 12Why was there a lap to cradle me, Breasts for me to suck? 13For now I would be lying in peace, Asleep and at rest |
Music as the lights come up slowly. Job is disappointed to find he is still there. | |
14With
the ancient kings and counselors
Who built the ruins of the earth, 15Or with princes who had gold And houses filled with silver. 16Would I had been hidden like a stillbirth, A babe that never saw the light, |
Pointing feebly to the tombs of the rich. | |
17There,
where the wicked cease strife,
Where the weary find rest, 18Where prisoners take their ease, Ignoring the taskmaster's shouts. |
Job indicates the Pit, the common grave for the poor. | |
19Small
and great alike are there
And slave is free from master. 20Why give light to the wretched,
24Sighs are my food
|
Gesturing down at the earth.
He looks at his friends, for the first time. |
|
25The
very thing I dread, it comes upon me;
What I fear, it comes to me. 26There is no peace for me, no rest, No repose; only trouble comes. |
Job looks up to Heaven. It is God whom he fears! He looks at his friends - trouble! | |
[Radio announcer. Then noble Eliphaz
answered Job.]
4:1Then Eliphaz the Temanite answered, saying, 2Perhaps a word is more than
you can bear,
12A word came furtively to
me once,
|
Eliphaz is a still powerful sixty years of age, noble of bearing, with flowing gray hair and a full beard nearly white. He speaks with authority in a distinguished baritone voice, and is simply dressed in a fine white robe. He is the same actor in the same costume who played God in the Prologue. | |
17"Can
an ordinary mortal be just before
God?
Can even the finest man be purer than his maker?" 18For when he distrusts his own servants And charges the angels themselves with error, 19What then of those who dwell in houses of clay That are founded on dust? They are crushed as easily as a moth. 20Morning to evening and they are shattered; They perish and are forever nameless. 21Just like a tent whose mainstay is loosened, They collapse and die without wisdom. |
Eliphaz wants to bring the saying "just before God" to Job's attention. Perhaps Job, the admired judge, had secretly tried to surpass God in justice. There is a double meaning that is hard to convey in English. To be "just before" also means to be more just than -- more just than God. | |
Musical interlude. | ||
5:1So
make your appeal! Will you find an answer?
To which of the holy ones will you turn? [Radio announcer. But Job wasn't having any, so Eliphaz decided on stronger medicine.] |
Eliphaz looks expectantly at
Job, who shrugs and turns away. |
|
2Anger
kills the fool
And passion takes the easily enticed. 3I have seen the fool take root Until his household is suddenly cursed, |
Eliphaz wags his finger. Job sees. | |
4His
children abandoned, helpless,
Lost in the crush, defenseless at court. 5His harvest the hungry consume Down to the last grain among the thorns While robbers thirst after his goods. 6Woe does not sprout from the dust And sorrow does not spring from the earth. 7A man begets touble As sparks fly up. |
The 4 messengers and 3 angels have found seats in the house. Their part now is to encourage the audience to be the jury at Job's trial. Here they hiss Eliphaz for reminding Job of his children. The Crowd onstage are a very vocal group, too, agreeing and disagreeing all along the way in a mumbly buzz. | |
8As
for me, I would apply to God
And lay my case before God Himself, 9Doer of great things unsearchable, Marvels beyond number, 10Who gives rain upon the earth And sends water upon the open fields, 11Who exalts the lowly And secures the wretched. 12He thwarts the plots of the crafty And their hands miss the prize. 13He catches the clever in their own guile And their wily schemes are carried headlong. 14They meet with darkness at noon And grope their way as if day were night. 15Thus he rescues the simple from the sword And the poor from the hands of the strong. 16Thus the humble have hope And evil's mouth is stopped. 17Happy is the man whom God corrects;
|
Kindly spoken again. | |
22At
destruction and famine you will laugh;
Wild beasts you'll need not fear. 23For you will be in league with the stones of the field And at peace with the beasts of the earth. 24You will know that your tent is secure, Inspect your flocks and miss nothing. 25You will know that your descendants are many, Your offspring as the grass of the earth. 26You will come in full vigor to the grave As a sheaf of wheat in its season is reaped. 27All this we have confirmed; it is true. Now hear it and know it yourself. |
This line is the source of Job's harshest criticism of God, that God laughs at the despair of the innocent. Job hears the irony and laughs with a gesture to the audience. This gesture will be picked up later by Job's friends. | |
[Radio announcer. Job was not
pleased with
Eliphaz' talk about the anger of the fool.] 6:1Then Job answered, saying:
|
Eliphaz has angered Job with talk about the passions of the fool. Job sits up straighter. | |
6Can
froth be eaten without salt?
Or is there any taste in dreamer's drool? 7I have no appetite for such things; They are like the pain in my belly. 8Oh that what I have begged be given,
|
An insulting reference to Eliphaz'
dream vision. Job eyes Eliphaz obliquely, but drops his gaze when Eliphaz challenges him. |
|
12Is
my strength the strength of stones
Or is my flesh bronze? 13Is there no one who will support
me?
|
Job's friends turn away.
Job pauses, hoping to be contradicted. But his friends have lost sympathy for him. |
|
14Loyalty
is due a sick friend,
Even if he renounce the fear of the Almighty. 15My brothers are treacherous as
a desert stream;
|
Aside. Renouncing fear of the Almighty is an unthinkable for Job, but under the impact of losing his friends, he is struck by his own words. | |
And swollen with the
snow melt.
17But comes the heat, they vanish, A new season and they fade. 18Caravans change their course; They go off in the desert and perish. 19The caravans of Tema look; The travelers of Sheba yearn. 20But they are confounded and disappointed Who come trusting the promise of water. 21So are you to me, And I to you am but a sight and a fright. |
Job's friends confer. | |
22Have
I asked you to make me a gift
Or ransom me with your wealth? 23Have I said, "rescue me from my enemy" Or "save me from brigands"? 24Teach me and I will say no more;
|
The three begin to leave, but Job's softer tone now stops them. Eliphaz does look back back at Job, who drops his gaze once more. | |
Continued...
Table of Contents
last changed November 17, 2014